Kitamura:	Before we know, we were to write group introduction.
Kanamitsu:	Well, we fell into trap. Although it thinks that the most difficult work introduces relation of those in whom only this gathers from various places even if it calls it organization introduction. And it is very difficult in brief!
Kitamura:	You are absolutely right. Even if it sees a member's present habitat -- Aichi Prefecture -- two persons and Mie Prefecture -- one person and Shiga Prefecture -- three persons, seven Kyoto, one Osaka, and two Hyogo Prefecture. Speaking of a common feature, about "Meishin High-speed way".
Kanamitsu:	Did it come suddenly? To be sure, it is the greatest means of transportation used for practice. But seemingly, it will seldom use, since there is no money wholly.
Kitamura:	That is right. If there is such money, we will buy a musical instrument more!
Kanamitsu:	Do you still plan to buy it? And if we see thier hometown, it is a little different. Aichi Prefecture -- three persons and Mie Prefecture -- four persons and Shiga Prefecture -- two persons, two Kyoto, three Osaka, and Okayama Prefecture -- one person and Yamaguchi Prefecture -- one person. And it is intricately exchanged more than number change, and a common feature is not "Kodama" and "Vista car", either.
Kitamura:	Well, it was troubled. It changes a viewpoint. How about this idea that is the relation by the music organization who is mainly working now?
Kanamitsu:	Let me see, there is no organization with common all the members at least. Only six orchestra which belongs. Brass and ensemble are 10, 11....etc. we don't want to count. In the end, there is a free-lancer like a regular helper. What is really it?
Kitamura:	It is so much. If it considers, there is almost no member without a holding two or more organization. It is normal that we belong to three or four organization.
Kanamitsu:	I see! So we practice midnight. We can not gather after finishing practice of other organizations. Therefore I'm always sleepy. If we don't forget to write the momorandum under practice in a score, I don't remember even what music we practiced.
Kitamura:	Listen! What are the elephant seal saying? Oops! I'm sorry. But it's very tight that practice will finish in 4 a.m. Our female members cannot worry about the tunes of the skin...?
Kanamitsu:	Ha ha ha, but since the lady who is playing the brass instrument has much generally powerful one, they might not be care such things (sorry). Still, even if there are no mem-women relaions, and it's brilliant that they gather in practice for hard schedule.
Kitamura:	I agree. Though the brass ensemble became popular music, it's very rare case we can participate in only the brass ensemble concert. Probably, this joy is just going to be common in all the members as instrument player. And various musical instruments are needed with not only the number but organization and fixed capability is also demanded.
Kanamitsu:	In such meaning, we are just a gathering of brass ensemble favor.
Kitamura:	You summarize it safely. I feel so, too.
Kanamitsu:	It's hard comment. As I add a few things, what I think that I become a member, KFAB is valuing the posture which is going to make music by borrowing the form of brass ensemble. Although it is usual, an actual amateur organization could not do in many cases. It sets aside whether it follows technically.
Kitamura:	Well, but I also sympathize such the portion. That reminds me, when one of the stance of activity of the teachers of the Ueno-no-mori brass was swept away the image as an educational musical instrument of a brass instrument, it was introduced by Pipers Magazine. The nuance is very close.
Kanamitsu:	You change hard topic, don't you? Is it that they make brass ensemble recognize as organization for expressing music? Though we can not compare to them in the same dimension, we might have the same vector as our mind.
Kitamura:	We decided on the name of "Fine Arts", because we try to be important the art nature.
Kanamitsu:	Oh, was that right?
Kitamura:	You see, you had slept...